{"id":2205,"date":"2022-08-17T00:06:50","date_gmt":"2022-08-16T22:06:50","guid":{"rendered":"https:\/\/new.spectraensemble.eu\/?page_id=2205"},"modified":"2025-09-22T09:38:34","modified_gmt":"2025-09-22T07:38:34","slug":"chronologisch","status":"publish","type":"page","link":"https:\/\/spectraensemble.eu\/en\/chronologisch\/","title":{"rendered":"Chronological"},"content":{"rendered":"
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Projecten – chronologisch<\/span><\/h1>\n<\/div>\n<\/div>\n<\/div>\n
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2025-2026<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Cantus Firmus Flamensis<\/span><\/div>\n<\/div>\n<\/div>\n

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Daydreamy<\/span><\/div>\n<\/div>\n<\/div>\n

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Echo<\/span><\/div>\n<\/div>\n<\/div>\n

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Miroirs des miroirs<\/span><\/div>\n<\/div>\n<\/div>\n

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2024-2025<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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14 EMOTIONS – Allegoria Via Dolorosa<\/span><\/div>\n<\/div>\n<\/div>\n

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De Grooten Oorlog \/ The Great War<\/span><\/div>\n<\/div>\n<\/div>\n

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Eine sch\u00f6ne M\u00fcllerin<\/span><\/div>\n<\/div>\n<\/div>\n

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For Cathy<\/span><\/div>\n<\/div>\n<\/div>\n

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FSO-SPECTRA International Conducting Masterclass 2025<\/span><\/div>\n<\/div>\n<\/div>\n

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Good morning, Singapore!<\/span><\/div>\n<\/div>\n<\/div>\n

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HELL ON EARTH<\/span><\/div>\n<\/div>\n<\/div>\n

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Orgel premi\u00e8res<\/span><\/div>\n<\/div>\n<\/div>\n

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Prozession<\/span><\/div>\n<\/div>\n<\/div>\n

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Re(f\/v)erence<\/span><\/div>\n<\/div>\n<\/div>\n

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Signs, Games and Messages<\/span><\/div>\n<\/div>\n<\/div>\n

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Take Five workshops nieuwe muziek<\/span><\/div>\n<\/div>\n<\/div>\n

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The enchanted Pig<\/span><\/div>\n<\/div>\n<\/div>\n

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Unveiled<\/span><\/div>\n<\/div>\n<\/div>\n

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Wij Hier Samen Ook Morgen<\/span><\/div>\n<\/div>\n<\/div>\n

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2023-2024<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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6:37<\/span><\/div>\n<\/div>\n<\/div>\n

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De Grooten Oorlog \/ The Great War<\/span><\/div>\n<\/div>\n<\/div>\n

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Eine sch\u00f6ne M\u00fcllerin<\/span><\/div>\n<\/div>\n<\/div>\n

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Goulash<\/span><\/div>\n<\/div>\n<\/div>\n

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\"SPECTRA\"<\/div>\n<\/div>\n
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Happy Birthday SPECTRA<\/span><\/div>\n<\/div>\n<\/div>\n

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The girl, the hunter and the wolf<\/span><\/div>\n<\/div>\n<\/div>\n

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Relics<\/span><\/div>\n<\/div>\n<\/div>\n

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Solar Harmony<\/span><\/div>\n<\/div>\n<\/div>\n

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Take Five workshops nieuwe muziek<\/span><\/div>\n<\/div>\n<\/div>\n

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Thou!<\/span><\/div>\n<\/div>\n<\/div>\n

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2022-2023<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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…with the silences of the fishes…<\/span><\/div>\n<\/div>\n<\/div>\n

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Atlas<\/span><\/div>\n<\/div>\n<\/div>\n

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Atlas Eclipticalis<\/span><\/div>\n<\/div>\n<\/div>\n

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Bijloke Summer Academy 2023<\/span><\/div>\n<\/div>\n<\/div>\n

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\"Lore<\/div>\n<\/div>\n
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Dreams of Airs<\/span><\/div>\n<\/div>\n<\/div>\n

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Eine sch\u00f6ne M\u00fcllerin<\/span><\/div>\n<\/div>\n<\/div>\n

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Eine sch\u00f6ne M\u00fcllerin<\/span><\/div>\n<\/div>\n<\/div>\n

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FSO-SPECTRA International Conducting Masterclass 2023<\/span><\/div>\n<\/div>\n<\/div>\n

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FSO-SPECTRA International Conducting Masterclass 2025<\/span><\/div>\n<\/div>\n<\/div>\n

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Goulash<\/span><\/div>\n<\/div>\n<\/div>\n

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HAKAHULA<\/span><\/div>\n<\/div>\n<\/div>\n

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The girl, the hunter and the wolf<\/span><\/div>\n<\/div>\n<\/div>\n

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Jukebox Ligeti<\/span><\/div>\n<\/div>\n<\/div>\n

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\"SPECTRA\"<\/div>\n<\/div>\n
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La po\u00e9sie de la m\u00e9moire<\/span><\/div>\n<\/div>\n<\/div>\n

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SOV Conducting Masterclass<\/span><\/div>\n<\/div>\n<\/div>\n

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The Rape of Lucretia<\/span><\/div>\n<\/div>\n<\/div>\n

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2021-2022<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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a tension, CD-presentation<\/span><\/div>\n<\/div>\n<\/div>\n

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\"Lore<\/div>\n<\/div>\n
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Altra Voce<\/span><\/div>\n<\/div>\n<\/div>\n

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Atlas Eclipticalis<\/span><\/div>\n<\/div>\n<\/div>\n

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Be My Superstar<\/span><\/div>\n<\/div>\n<\/div>\n

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\"The<\/div>\n<\/div>\n
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The Gruffalo<\/span><\/div>\n<\/div>\n<\/div>\n

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Dreams of Airs<\/span><\/div>\n<\/div>\n<\/div>\n

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in vain<\/span><\/div>\n<\/div>\n<\/div>\n

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KAIN & ABEL<\/span><\/div>\n<\/div>\n<\/div>\n

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Ophelia<\/span><\/div>\n<\/div>\n<\/div>\n

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R\u00e9sonances<\/span><\/div>\n<\/div>\n<\/div>\n

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Songs for Tomorrow<\/span><\/div>\n<\/div>\n<\/div>\n

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Take Five workshops nieuwe muziek<\/span><\/div>\n<\/div>\n<\/div>\n

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2020-2021<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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The music-making angels<\/span><\/div>\n<\/div>\n<\/div>\n

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Debussy’s Grand Hotel, Vue sur La Mer<\/span><\/div>\n<\/div>\n<\/div>\n

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Droom-Zappen<\/span><\/div>\n<\/div>\n<\/div>\n

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Private View<\/span><\/div>\n<\/div>\n<\/div>\n

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Quatre chants pour franchir le seuil<\/span><\/div>\n<\/div>\n<\/div>\n

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The Book of Thel – Zum Wassermann<\/span><\/div>\n<\/div>\n<\/div>\n

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Sizzling soulmates<\/span><\/div>\n<\/div>\n<\/div>\n

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2019-2020<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Be My Superstar<\/span><\/div>\n<\/div>\n<\/div>\n

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Bijloke Summer Academy 2019<\/span><\/div>\n<\/div>\n<\/div>\n

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Cuisine fran\u00e7aise<\/span><\/div>\n<\/div>\n<\/div>\n

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Debussy’s Grand Hotel, Vue sur La Mer<\/span><\/div>\n<\/div>\n<\/div>\n

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Frankenstein!!<\/span><\/div>\n<\/div>\n<\/div>\n

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Glossolalie<\/span><\/div>\n<\/div>\n<\/div>\n

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Menuet<\/span><\/div>\n<\/div>\n<\/div>\n

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Music for birds…<\/span><\/div>\n<\/div>\n<\/div>\n

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2018-2019<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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A la recherche d’un temps perdu<\/span><\/div>\n<\/div>\n<\/div>\n

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A Matter of Triumph and Void<\/span><\/div>\n<\/div>\n<\/div>\n

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A Sunday Mess<\/span><\/div>\n<\/div>\n<\/div>\n

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Are we not drawn onward to new erA<\/span><\/div>\n<\/div>\n<\/div>\n

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Eine sch\u00f6ne M\u00fcllerin<\/span><\/div>\n<\/div>\n<\/div>\n

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Eine sch\u00f6ne M\u00fcllerin<\/span><\/div>\n<\/div>\n<\/div>\n

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Family trail<\/span><\/div>\n<\/div>\n<\/div>\n

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Hommage aan Luc Brewaeys<\/span><\/div>\n<\/div>\n<\/div>\n

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M\u00e9moires vives<\/span><\/div>\n<\/div>\n<\/div>\n

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Open rehearsal<\/span><\/div>\n<\/div>\n<\/div>\n

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Opening concert Musica sacra Maastricht<\/span><\/div>\n<\/div>\n<\/div>\n

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Sir\u00e8nes<\/span><\/div>\n<\/div>\n<\/div>\n

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SPECTRA 25!<\/span><\/div>\n<\/div>\n<\/div>\n

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As long as he does not know himself<\/span><\/div>\n<\/div>\n<\/div>\n

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2017-2018<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Are we not drawn onward to new erA<\/span><\/div>\n<\/div>\n<\/div>\n

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Boulez & Pintscher<\/span><\/div>\n<\/div>\n<\/div>\n

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\n
\"\"<\/div>\n<\/div>\n
\n
De Grooten Oorlog \/ The Great War<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
<\/div>\n
\n
\n
\"\"<\/div>\n<\/div>\n
\n
Dona Nobis Pacem<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
<\/div>\n
\n
\n
\"\"<\/div>\n<\/div>\n
\n
In Nomine Lucis<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
<\/div>\n
\n
\n
\"\"<\/div>\n<\/div>\n
\n
KEEP CALM & VALIDATE<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
<\/div>\n
\n
\n
\"\"<\/div>\n<\/div>\n
\n
Ligeti: (Selbst)portr\u00e4t mit Reich und Riley<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
<\/div>\n
\n
\n
\"\"<\/div>\n<\/div>\n
\n
Menuet<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
<\/div>\n
\n
\n
\"\"<\/div>\n<\/div>\n
\n
Radicale eenlingen \/ Radical Loners<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
<\/div>\n
\n
\n
\"\"<\/div>\n<\/div>\n
\n
Tot slot: een begin<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
<\/div>\n
\n
\n
\"\"<\/div>\n<\/div>\n
\n
As long as he does not know himself<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n

2016-2017<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n
\n
\n
<\/div>\n
\n
\n
\"\"<\/div>\n<\/div>\n
\n
14 EMOTIONS – Allegoria Via Dolorosa<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
<\/div>\n
\n
\n
\"\"<\/div>\n<\/div>\n
\n
Are we not drawn onward to new erA<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
<\/div>\n
\n
\n
\"\"<\/div>\n<\/div>\n
\n
CHROMA<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
<\/div>\n
\n
\n
\"\"<\/div>\n<\/div>\n
\n
De Grooten Oorlog \/ The Great War<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
<\/div>\n
\n
\n
\"\"<\/div>\n<\/div>\n
\n
DE MAENE<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
<\/div>\n
\n
\n
\"\"<\/div>\n<\/div>\n
\n
Distant Voices<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
<\/div>\n
\n
\n
\"\"<\/div>\n<\/div>\n
\n
KEEP CALM & VALIDATE<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
<\/div>\n
\n
\n
\"\"<\/div>\n<\/div>\n
\n
Ligeti: (Selbst)portr\u00e4t mit Reich und Riley<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
<\/div>\n
\n
\n
\"\"<\/div>\n<\/div>\n
\n
Louis Andriessens minimalisme<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
<\/div>\n
\n
\n
\"\"<\/div>\n<\/div>\n
\n
Menuet<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
<\/div>\n
\n
\n
\"\"<\/div>\n<\/div>\n
\n
Pluriversum – Over Lucien Goethals<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n

2015-2016<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n
\n
\n
<\/div>\n
\n
\n
\"\"<\/div>\n<\/div>\n
\n
14 EMOTIONS – Allegoria Via Dolorosa<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
<\/div>\n
\n
\n
\"\"<\/div>\n<\/div>\n
\n
Are we not drawn onward to new erA<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
<\/div>\n
\n
\n
\"\"<\/div>\n<\/div>\n
\n
BlackBox<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
<\/div>\n
\n
\n
\"\"<\/div>\n<\/div>\n
\n
De Grooten Oorlog \/ The Great War<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
<\/div>\n
\n
\n
\"\"<\/div>\n<\/div>\n
\n
Distant Voices<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
<\/div>\n
\n
\n
\"\"<\/div>\n<\/div>\n
\n
Dufay-Bearbeitungen<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
<\/div>\n
\n
\n
\"\"<\/div>\n<\/div>\n
\n
Elle est moi und t\u00f6te mich<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
<\/div>\n
\n
\n
\"\"<\/div>\n<\/div>\n
\n
Fieldrecordings of my own environment<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
<\/div>\n
\n
\n
\"\"<\/div>\n<\/div>\n
\n
In Nomine Lucis<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
<\/div>\n
\n
\n
\"\"<\/div>\n<\/div>\n
\n
Ledebergse componisten<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
<\/div>\n
\n
\n
\"\"<\/div>\n<\/div>\n
\n
Sol LeWitt – Lines #1<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
<\/div>\n
\n
\n
\"\"<\/div>\n<\/div>\n
\n
Sol LeWitt – Lines #2<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
<\/div>\n
\n
\n
\"\"<\/div>\n<\/div>\n
\n
Sol LeWitt – Loops<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n

2014-2015<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n
\n
\n
<\/div>\n
\n
\n
\"\"<\/div>\n<\/div>\n
\n
14 EMOTIONS – Allegoria Via Dolorosa<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
<\/div>\n
\n
\n
\"\"<\/div>\n<\/div>\n
\n
ASOBI<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
<\/div>\n
\n
\n
\"\"<\/div>\n<\/div>\n
\n
Civilisations<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n<\/div>\n

<\/p>","protected":false},"excerpt":{"rendered":"

Projecten – chronologisch 2025-2026 Cantus Firmus Flamensis Daydreamy Echo Miroirs des miroirs 2024-2025 14 EMOTIONS – Allegoria Via Dolorosa De Grooten Oorlog \/ The Great War Eine sch\u00f6ne M\u00fcllerin For Cathy FSO-SPECTRA International Conducting Masterclass 2025 Good morning, Singapore! HELL ON EARTH Orgel premi\u00e8res Prozession Re(f\/v)erence Signs, Games and Messages Take Five workshops nieuwe muziek […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"brizy-blank-template.php","meta":{"footnotes":""},"class_list":["post-2205","page","type-page","status-publish","hentry"],"blocksy_meta":{"styles_descriptor":{"styles":{"desktop":"","tablet":"","mobile":""},"google_fonts":[],"version":6}},"brizy_media":[],"_links":{"self":[{"href":"https:\/\/spectraensemble.eu\/en\/wp-json\/wp\/v2\/pages\/2205","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/spectraensemble.eu\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/spectraensemble.eu\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/spectraensemble.eu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/spectraensemble.eu\/en\/wp-json\/wp\/v2\/comments?post=2205"}],"version-history":[{"count":0,"href":"https:\/\/spectraensemble.eu\/en\/wp-json\/wp\/v2\/pages\/2205\/revisions"}],"wp:attachment":[{"href":"https:\/\/spectraensemble.eu\/en\/wp-json\/wp\/v2\/media?parent=2205"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}