{"id":2205,"date":"2022-08-17T00:06:50","date_gmt":"2022-08-16T22:06:50","guid":{"rendered":"https:\/\/new.spectraensemble.eu\/?page_id=2205"},"modified":"2026-08-10T19:45:30","modified_gmt":"2026-08-10T17:45:30","slug":"chronologisch","status":"publish","type":"page","link":"https:\/\/spectraensemble.eu\/en\/chronologisch\/","title":{"rendered":"Chronological"},"content":{"rendered":"
\n
\n
\n
\n
\n
\n
<\/div>\n<\/div>\n
\n
\n
\n

Projecten – chronologisch<\/span><\/h1>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\n

2026-2027 <\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n
\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Cantus firmus belgica<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Een hommage aan Lucien Goethals<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
La nuict froide et sombre<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Tussen droom en d(ager)aad<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n

2025-2026<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n
\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
14 Emotions \/ Allegoria via dolorosa<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Cantus Firmus Flamensis<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Cheers, Luc! (voorprogramma van ‘Martijns Droom’)<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Daydreamy<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Distant Echoes<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Echo<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Little Women<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Miroirs des miroirs<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Signs, Games and Messages<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Singing Hammers<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Somer & Winter<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Verhalen van duizend-en-\u00e9\u00e9n-kleur<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Zingend Rood<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n

2024-2025<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n
\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
14 EMOTIONS – Allegoria Via Dolorosa<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
De Grooten Oorlog \/ The Great War<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Eine sch\u00f6ne M\u00fcllerin<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
For Cathy<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
FSO-SPECTRA International Conducting Masterclass 2025<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Good morning, Singapore!<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
HELL ON EARTH<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Orgel premi\u00e8res<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Prozession<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Re(f\/v)erence<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Signs, Games and Messages<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Take Five workshops nieuwe muziek<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
The enchanted Pig<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Unveiled<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Wij Hier Samen Ook Morgen<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n

2023-2024<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n
\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
6:37<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
De Grooten Oorlog \/ The Great War<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Eine sch\u00f6ne M\u00fcllerin<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Goulash<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"SPECTRA\"<\/picture><\/div>\n<\/div>\n
\n
Happy Birthday SPECTRA<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Het meisje, de jager en de wolf<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Relics<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Solar Harmony<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Take Five workshops nieuwe muziek<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Thou!<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n

2022-2023<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n
\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
…with the silences of the fishes…<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Atlas<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Atlas Eclipticalis<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Bijloke Summer Academy 2023<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"Lore<\/picture><\/div>\n<\/div>\n
\n
Dreams of Airs<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Eine sch\u00f6ne M\u00fcllerin<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Eine sch\u00f6ne M\u00fcllerin<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
FSO-SPECTRA International Conducting Masterclass 2023<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
FSO-SPECTRA International Conducting Masterclass 2025<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Goulash<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
HAKAHULA<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Het meisje, de jager en de wolf<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Jukebox Ligeti<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"SPECTRA\"<\/picture><\/div>\n<\/div>\n
\n
La po\u00e9sie de la m\u00e9moire<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
SOV Conducting Masterclass<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
The Rape of Lucretia<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n

2021-2022<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n
\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
a tension, CD-presentatie<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"Lore<\/picture><\/div>\n<\/div>\n
\n
Altra Voce<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Atlas Eclipticalis<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Be My Superstar<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"The<\/picture><\/div>\n<\/div>\n
\n
De Gruffalo<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"Lore<\/picture><\/div>\n<\/div>\n
\n
Dreams of Airs<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
in vain<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
KAIN & ABEL<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Ophelia<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
R\u00e9sonances<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Songs for Tomorrow<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Take Five workshops nieuwe muziek<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n

2020-2021<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n
\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
De musicerende engelen<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Debussy’s Grand Hotel, Vue sur La Mer<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Droom-Zappen<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Private View<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Quatre chants pour franchir le seuil<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
The Book of Thel – Zum Wassermann<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Zinderende zielsverwanten<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n

2019-2020<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n
\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Be My Superstar<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Bijloke Summer Academy 2019<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Cuisine fran\u00e7aise<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Debussy’s Grand Hotel, Vue sur La Mer<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Frankenstein!!<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Glossolalie<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Menuet<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Music for birds…<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n

2018-2019<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n
\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
A la recherche d’un temps perdu<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
A Matter of Triumph and Void<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
A Sunday Mess<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Are we not drawn onward to new erA<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Eine sch\u00f6ne M\u00fcllerin<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Eine sch\u00f6ne M\u00fcllerin<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Familieparcours<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Hommage aan Luc Brewaeys<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
M\u00e9moires vives<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Open repetitie<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Openingsconcert Musica Sacra Maastricht<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Sir\u00e8nes<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
SPECTRA 25!<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Zolang hij niet zichzelve kent<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n

2017-2018<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n
\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Are we not drawn onward to new erA<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Boulez & Pintscher<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
De Grooten Oorlog \/ The Great War<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Dona Nobis Pacem<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
In Nomine Lucis<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
KEEP CALM & VALIDATE<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Ligeti: (Selbst)portr\u00e4t mit Reich und Riley<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Menuet<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Radicale eenlingen \/ Radical Loners<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Tot slot: een begin<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Zolang hij niet zichzelve kent<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n

2016-2017<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n
\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
14 EMOTIONS – Allegoria Via Dolorosa<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Are we not drawn onward to new erA<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
CHROMA<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
De Grooten Oorlog \/ The Great War<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
DE MAENE<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Distant Voices<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
KEEP CALM & VALIDATE<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Ligeti: (Selbst)portr\u00e4t mit Reich und Riley<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Louis Andriessens minimalisme<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Menuet<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Pluriversum – Over Lucien Goethals<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n

2015-2016<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n
\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
14 EMOTIONS – Allegoria Via Dolorosa<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Are we not drawn onward to new erA<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
BlackBox<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
De Grooten Oorlog \/ The Great War<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Distant Voices<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Dufay-Bearbeitungen<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Elle est moi und t\u00f6te mich<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Fieldrecordings of my own environment<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
In Nomine Lucis<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Ledebergse componisten<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Sol LeWitt – Lines #1<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Sol LeWitt – Lines #2<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Sol LeWitt – Loops<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n

2014-2015<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n
\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
14 EMOTIONS – Allegoria Via Dolorosa<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
ASOBI<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n

\n
\n
\n
\n
\"\"<\/picture><\/div>\n<\/div>\n
\n
Civilisations<\/span><\/div>\n<\/div>\n<\/div>\n

<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section><\/div>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Projecten – chronologisch 2026-2027 Cantus firmus belgica Een hommage aan Lucien Goethals La nuict froide et sombre Tussen droom en d(ager)aad 2025-2026 14 Emotions \/ Allegoria via dolorosa Cantus Firmus Flamensis Cheers, Luc! (voorprogramma van ‘Martijns Droom’) Daydreamy Distant Echoes Echo Little Women Miroirs des miroirs Signs, Games and Messages Singing Hammers Somer & Winter […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"brizy-blank-template.php","meta":{"footnotes":""},"class_list":["post-2205","page","type-page","status-publish","hentry"],"blocksy_meta":{"styles_descriptor":{"styles":{"desktop":"","tablet":"","mobile":""},"google_fonts":[],"version":8}},"brizy_media":[],"_links":{"self":[{"href":"https:\/\/spectraensemble.eu\/en\/wp-json\/wp\/v2\/pages\/2205","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/spectraensemble.eu\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/spectraensemble.eu\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/spectraensemble.eu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/spectraensemble.eu\/en\/wp-json\/wp\/v2\/comments?post=2205"}],"version-history":[{"count":0,"href":"https:\/\/spectraensemble.eu\/en\/wp-json\/wp\/v2\/pages\/2205\/revisions"}],"wp:attachment":[{"href":"https:\/\/spectraensemble.eu\/en\/wp-json\/wp\/v2\/media?parent=2205"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}