Deze expositie wil de verborgen banden tussen de videokunst van de jaren '60 en de digitale kunst van de jaren '90 blootleggen. Ze brengt een aantal sleutelwerken geordend volgens drie invalshoeken: '(her)uitgevonden' apparaten, het geheugen, en de multipliciteit van schermen als constructie van een nieuw mentaal universum.
SPECTRA pays homage to Paik’s Fluxus roots with a.o. a selection from the 'Twelve Piano Compositions for Nam June Paik' by George Maciunas. Fluxus was a loosely organized network of artists aiming to blend different artistic forms and disciplines, often using new media. The German artist Michael Beil demonstrates in String Jack how intermedia concepts are shaped today. Image and sound, past and present blend into an alienating saturation: the excessive daily amount of information questioned with artistry.
George Maciunas (1931-1978)
Twelve Piano Compositions for Nam June Paik (1962, selectie)
George Brecht ( 1926-2008)
Spanish Card piece for objects (1959/60)
Drip Music (1959)
John Cage (1912-1992)
Ryoanji (1983)
Atlas Eclepticalis (1961)
Michael Beil (°1963)
String Jack (2016)
Yoko Ono (°1933)
Lighting Piece (1955)
......
CREDITSSPECTRA
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